Theses/Dissertations from 1989
I Fu-chiu and the relationship between Chinese and Japanese literati paintings, Yeong-Chau Chou
Misfortune, Barry G. Fohrman
The femme fatale : a phenomenon of obsession, 1864-1910, as seen in the work of three artists, Brian M. Halsted
Political and theological implications in the church of Sant'Apollinare Nuovo in Ravenna, Laura Climenko Johnson
Exekias : master potter and painter of Attic black figure vases, Nancy Ludgin
Symphonia for string orchestra, Tongmin Qian
Creative re-interpretation of myth in the Oresteia of Aeschylus and in the pediments of the temple of Zeus at Olympia seen as a didactic medium of change in Greek thought, M. Marguerite Trick
The ethics of Minnie Maddern Fiske, Marilyn S. Vanderwoude
The almsbowl and myrobalan in Burmese art : Mahayanist imagery in Theravadin Burma, Jennifer Lane White
The paintings of Uemura Shōen with special attention to Nō drama themes, Nanako Yamada
Documentation of the one-person show of interactive media art, Mary Zerkel
Theses/Dissertations from 1988
The hammered dulcimer : the instrument and its history, Sarah Barnes
Documentation of the one-person show of film, Lisa L. Gosciejew
Differentiated comprehensive theatre arts curriculum at the secondary level for the creatively gifted, Claudia Beth Johns Kanas
Political implications of the Theseus myth in Attic painted pottery, Kathleen Lovelace
Eucharistic prayer IV, Colleen Puscas
Early Christian iconography : pre-Constantinian sarcophagal sculpture and its eschatological value, Thomas E. Russo
William Morris and the Oxford union murals, G. Joseph Socki
Theses/Dissertations from 1987
Georges Rouault : societal influences and response in early maturity, 1903-1914, Mary A. Boyd
The effect of group communication and member satisfaction on quality of multimedia productions, Kelby J. Briddick
Echoes of time and the river, a general analysis, Robert C. Coats
Four regions of the U.S.A., Carol M. Funke
A comparative analysis of Agatha Christie's playwriting, using S.S. Van Dine's and Ronald Knox's rules for writing detective stories, Lawrence P. McCormick
Graphic works by Jean Dubuffet from the first phase of his career, Susan Lynn Parmentier
Theses/Dissertations from 1986
The history of the Illinois Theatre Association from 1972 to 1982 : the first ten years, Pamela J. Baker
Winter words, op. 52, by Benjamin Britten : an analysis, Ann Brashear
The Ten : reassessment of their secession in relation to the historical development of the American art academies and in light of the reviews of their exhibitions, Veronica A. Casella
The Heb-Sed, a festival of divine kingship, and its representation in the art of Archaic and Old Kingdom Egypt, Linda Lou Hummel
The Joliet Drama Guild : a historical perspective and master five-year plan of operation, Sandra L. Martin
Performance markings : the historical developments of conceptual performance as art, Cherie Matousek
French still life painting, 1791-1815, Nanette C. Mosher
Visuals, games, and manipulatives in music education : a position, Vicky Marie Pletsch
The administrative establishment and operation of the Southern Lakes Repertory Theatre : a summer-stock theatre company, Williams Bay, Wisconsin, 1985, Jay R. Sierszyn
The iconography of the Merovingian cross-page : apotropaic and cosmological symbolism in early mediaeval art, Thomas W.A. Small
Music education and the learning disabled : the effects of movement programming and class placement, Kay L. Stephens
Gawaine and the lady Ragnell : a play, Donna Henderson Turner
Raka, Ilse-Mari Van Wyk
Theses/Dissertations from 1985
Entropy and the art of Robert Smithson : a search for meaning in the Spiral jetty, Susan C. Blake
Thematic unity in Steven [sic] Sondheim's Merrily we roll along, Gary E. Brubaker
Theophanes the Greek : his role and contribution in the development of Russian religious painting at Novgorod and Moscow, Shirley S. Bryar
Sonata for violin and piano, Shao-nin Chiang
Seasons : for chamber orchestra, Valerie A. Heinkel
Light times: two plays, David Allan Kuester
Aspects of Norse goddesses in art, Lori L. Sipavich
Untitled : for three soloists and chorus, Fengshi Yang
Theses/Dissertations from 1984
Theoretical analysis of the Marcel Dupré edition of Mozart's Fantasia in F Minor, K. 608, Peggy A. Abel
Chuang, chamber music for four players, Shih-hui Chen
Documentation of the one-person show of ceramic wall reliefs, Don A. Collingsworth
The selected applications of personal microcomputers in theatre programs at the senior high school level, Timothy J. Conway
Peter Eisenman : post-modern architecture and the question of mannerist influences, William Charles Dawe
Inexpensive microcomputer based music synthesizer designs, Michael Eldridge
The best ever... : Waukegan theatres 1866-1919, James E. Neal
Suite for harpsichord, Susan E. Ross
A historical study of the theatre activities at Northern Illinois University between 1899-1972, Mary Ellen Schneider
Sexual symbolism, femininity, and feminism in the painting of Georgia O'Keeffe, Laura H. Spalding
Theses/Dissertations from 1983
Documentation of the one-person show of metalwork and jewelry, Norman R. Ahlgren
The imprint of Japanese spirituality on the visual arts of Japan, Nancy K. Camp
Documentation of the one-person show of ceramic reliefs, Don A. Collingsworth
Documentation of the one-person show of paintings, Paolo Colombo
Documentation of the one-person show of prints, Stanley Merrett Daniel
Hull House performs : a historical and evaluative study of the performing arts of the Hull House Settlement, 1920-1937, Sherry J. Engstrom
The raised arm figurines of predynastic Egypt : an analysis and interpretation, Karen Spradling Hoglund
Documentation of the one person show of metalwork and jewelry, Paul Klecka
An investigation into the role of choral music education in the secondary school, Ramona M. Quinn
The textile traditions of the Bagobo, Mandaya and Bilaan of the Philippines, Lynda Angelica N. Reyes
Behind the pulpit of innovation : the design theories of Robert Edmond Jones and their efficacy as viewed by his contemporaries, Marybeth Smith
Theses/Dissertations from 1982
Documentation of the one-person show of prints and drawings, Donald S. Anderson
Documentation of the one-person show of paintings, James A. Anderson
Documentation of the one-man show of serigraphs and paintings, John Calimée
A computer music realization of the discourses of Dionysus, from The Bacchae, George Christie
Documentation of the one-person show of functional stoneware, Gregory P. Colombe
Documentation of the one-person show of metalwork and jewelry, Beverly J. Decman
Documentation of the one-woman show of jewelry and metalwork, Genevieve G. Dunlop
Functional art therapy for the severely handicapped, Connie Livingston Dunn
Documentation of the one-person show of drawings, Rhonda Eklund
Documentation of the one-woman show of paintings : dichotomy and colorspace, Sylvia E. Esser
Documentation of the one-person show of paintings and drawings, Martha E. Flaningam
Documentation of the one-woman show of drawings, Christine C. Fusco
Documentation of the one-person show of constructions/prints/drawings, Karen K. Gilg
Arts center management and downtown redevelopment : a case study of three renovated midwestern central area performing arts centers, Dulcie Corkill Gilmore
Using semiotic theories and models to achieve visual literacy in the beginning visual design course, Connie S. Goldman
Documentation of the one-person show of knives, Kenneth W. Guth
Documentation of the one-person show of screen paintings, Shauna Hanning
Documentation of the one-person show of installation art : chromesthesia, Jeanne M. Hites
Documentation of the one-person show of paintings and drawings, David R. Holsted
Documentation of the one-person show of fiber, Lucy A. Jahns
The non-musical sources of African musical thoughts and style, Zili Meye Jasper
Documentation of the one-person show of drawings : pattern drawings, Judy L. Johnson
Documentation of the one-person show of paintings, Timothy R. Kaar
Documentation of the one-person show of paintings, Marti Kaisen
Documentation of the one-person show of prints and drawings, Lita Kenyon
Documentation of the one-person show of ceramics and fiber, Dale Marie Krizek
A study of the initial critical reception of the plays of Lanford Wilson, 1965 to 1982, Nancy Ann Leonchik
Documentation of the one-person show of paintings, Raymond J. Leo
Documentation of the one-person show of sculptures, Larry A. Lightbody
Documentation of the one-person show of drawings, Doretta M. Miller
Documentation of the one-person show of drawings, Diane Mulopulos
