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Theses/Dissertations from 1989

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Misfortune, Barry G. Fohrman

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The femme fatale : a phenomenon of obsession, 1864-1910, as seen in the work of three artists, Brian M. Halsted

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Political and theological implications in the church of Sant'Apollinare Nuovo in Ravenna, Laura Climenko Johnson

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Exekias : master potter and painter of Attic black figure vases, Nancy Ludgin

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Symphonia for string orchestra, Tongmin Qian

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Creative re-interpretation of myth in the Oresteia of Aeschylus and in the pediments of the temple of Zeus at Olympia seen as a didactic medium of change in Greek thought, M. Marguerite Trick

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The ethics of Minnie Maddern Fiske, Marilyn S. Vanderwoude

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The almsbowl and myrobalan in Burmese art : Mahayanist imagery in Theravadin Burma, Jennifer Lane White

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The paintings of Uemura Shōen with special attention to Nō drama themes, Nanako Yamada

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Documentation of the one-person show of interactive media art, Mary Zerkel

Theses/Dissertations from 1988

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The hammered dulcimer : the instrument and its history, Sarah Barnes

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Documentation of the one-person show of film, Lisa L. Gosciejew

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Differentiated comprehensive theatre arts curriculum at the secondary level for the creatively gifted, Claudia Beth Johns Kanas

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Political implications of the Theseus myth in Attic painted pottery, Kathleen Lovelace

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Eucharistic prayer IV, Colleen Puscas

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Early Christian iconography : pre-Constantinian sarcophagal sculpture and its eschatological value, Thomas E. Russo

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William Morris and the Oxford union murals, G. Joseph Socki

Theses/Dissertations from 1987

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Georges Rouault : societal influences and response in early maturity, 1903-1914, Mary A. Boyd

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The effect of group communication and member satisfaction on quality of multimedia productions, Kelby J. Briddick

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Echoes of time and the river, a general analysis, Robert C. Coats

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Four regions of the U.S.A., Carol M. Funke

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An historical survey of the characteristics of sixteenth-century commedia dell'arte and the application of those characteristics in the creation of an original one-act script written in the commedia style, Arlene S. Hawks

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A comparative analysis of Agatha Christie's playwriting, using S.S. Van Dine's and Ronald Knox's rules for writing detective stories, Lawrence P. McCormick

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Graphic works by Jean Dubuffet from the first phase of his career, Susan Lynn Parmentier

Theses/Dissertations from 1986

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The history of the Illinois Theatre Association from 1972 to 1982 : the first ten years, Pamela J. Baker

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Winter words, op. 52, by Benjamin Britten : an analysis, Ann Brashear

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The Ten : reassessment of their secession in relation to the historical development of the American art academies and in light of the reviews of their exhibitions, Veronica A. Casella

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The Heb-Sed, a festival of divine kingship, and its representation in the art of Archaic and Old Kingdom Egypt, Linda Lou Hummel

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The Joliet Drama Guild : a historical perspective and master five-year plan of operation, Sandra L. Martin

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Performance markings : the historical developments of conceptual performance as art, Cherie Matousek

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French still life painting, 1791-1815, Nanette C. Mosher

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Visuals, games, and manipulatives in music education : a position, Vicky Marie Pletsch

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The administrative establishment and operation of the Southern Lakes Repertory Theatre : a summer-stock theatre company, Williams Bay, Wisconsin, 1985, Jay R. Sierszyn

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The iconography of the Merovingian cross-page : apotropaic and cosmological symbolism in early mediaeval art, Thomas W.A. Small

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Music education and the learning disabled : the effects of movement programming and class placement, Kay L. Stephens

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Gawaine and the lady Ragnell : a play, Donna Henderson Turner

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Raka, Ilse-Mari Van Wyk

Theses/Dissertations from 1985

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Entropy and the art of Robert Smithson : a search for meaning in the Spiral jetty, Susan C. Blake

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Thematic unity in Steven [sic] Sondheim's Merrily we roll along, Gary E. Brubaker

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Theophanes the Greek : his role and contribution in the development of Russian religious painting at Novgorod and Moscow, Shirley S. Bryar

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Sonata for violin and piano, Shao-nin Chiang

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Seasons : for chamber orchestra, Valerie A. Heinkel

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Light times: two plays, David Allan Kuester

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Aspects of Norse goddesses in art, Lori L. Sipavich

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Untitled : for three soloists and chorus, Fengshi Yang

Theses/Dissertations from 1984

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Theoretical analysis of the Marcel Dupré edition of Mozart's Fantasia in F Minor, K. 608, Peggy A. Abel

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Chuang, chamber music for four players, Shih-hui Chen

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Documentation of the one-person show of ceramic wall reliefs, Don A. Collingsworth

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The selected applications of personal microcomputers in theatre programs at the senior high school level, Timothy J. Conway

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Peter Eisenman : post-modern architecture and the question of mannerist influences, William Charles Dawe

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Inexpensive microcomputer based music synthesizer designs, Michael Eldridge

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The best ever... : Waukegan theatres 1866-1919, James E. Neal

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Suite for harpsichord, Susan E. Ross

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A historical study of the theatre activities at Northern Illinois University between 1899-1972, Mary Ellen Schneider

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Sexual symbolism, femininity, and feminism in the painting of Georgia O'Keeffe, Laura H. Spalding

Theses/Dissertations from 1983

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Documentation of the one-person show of metalwork and jewelry, Norman R. Ahlgren

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The imprint of Japanese spirituality on the visual arts of Japan, Nancy K. Camp

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Documentation of the one-person show of ceramic reliefs, Don A. Collingsworth

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Documentation of the one-person show of paintings, Paolo Colombo

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Documentation of the one-person show of prints, Stanley Merrett Daniel

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Hull House performs : a historical and evaluative study of the performing arts of the Hull House Settlement, 1920-1937, Sherry J. Engstrom

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The raised arm figurines of predynastic Egypt : an analysis and interpretation, Karen Spradling Hoglund

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Documentation of the one person show of metalwork and jewelry, Paul Klecka

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An investigation into the role of choral music education in the secondary school, Ramona M. Quinn

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The textile traditions of the Bagobo, Mandaya and Bilaan of the Philippines, Lynda Angelica N. Reyes

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Behind the pulpit of innovation : the design theories of Robert Edmond Jones and their efficacy as viewed by his contemporaries, Marybeth Smith

Theses/Dissertations from 1982

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Documentation of the one-person show of prints and drawings, Donald S. Anderson

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Documentation of the one-person show of paintings, James A. Anderson

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ʻH 'Anáctacic [The Anastasis] : a study of the iconographical development of the Anastasis in monumental mosaic and fresco decoration during the Macedonian, Commenian, and Palaeologian dynasties, Kathleen M. Barnard

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Documentation of the one-man show of serigraphs and paintings, John Calimée

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A computer music realization of the discourses of Dionysus, from The Bacchae, George Christie

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Documentation of the one-person show of functional stoneware, Gregory P. Colombe

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Documentation of the one-person show of metalwork and jewelry, Beverly J. Decman

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Documentation of the one-woman show of jewelry and metalwork, Genevieve G. Dunlop

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Functional art therapy for the severely handicapped, Connie Livingston Dunn

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Documentation of the one-person show of drawings, Rhonda Eklund

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Documentation of the one-woman show of paintings : dichotomy and colorspace, Sylvia E. Esser

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Documentation of the one-person show of paintings and drawings, Martha E. Flaningam

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Documentation of the one-woman show of drawings, Christine C. Fusco

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Documentation of the one-person show of constructions/prints/drawings, Karen K. Gilg

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Arts center management and downtown redevelopment : a case study of three renovated midwestern central area performing arts centers, Dulcie Corkill Gilmore

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Using semiotic theories and models to achieve visual literacy in the beginning visual design course, Connie S. Goldman

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Documentation of the one-person show of knives, Kenneth W. Guth

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Documentation of the one-person show of screen paintings, Shauna Hanning

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Documentation of the one-person show of installation art : chromesthesia, Jeanne M. Hites

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Minoan-Mycenaean vegetation worship : a reevaluation of anthropomorphic and nonanthropomorphic aspects of the nature deities in the Bronze Age art of the Aegean through associations with comparable elements found in Greek, Egyptian, and Near Eastern cultures, Judith A. Hollister

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Documentation of the one-person show of paintings and drawings, David R. Holsted

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Documentation of the one-person show of fiber, Lucy A. Jahns

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The non-musical sources of African musical thoughts and style, Zili Meye Jasper

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Documentation of the one-person show of drawings : pattern drawings, Judy L. Johnson

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Documentation of the one-person show of paintings, Timothy R. Kaar

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Documentation of the one-person show of paintings, Marti Kaisen

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Documentation of the one-person show of prints and drawings, Lita Kenyon

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Documentation of the one-person show of ceramics and fiber, Dale Marie Krizek

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A study of the initial critical reception of the plays of Lanford Wilson, 1965 to 1982, Nancy Ann Leonchik

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Documentation of the one-person show of paintings, Raymond J. Leo

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Documentation of the one-person show of sculptures, Larry A. Lightbody

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Documentation of the one-person show of drawings, Doretta M. Miller

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Documentation of the one-person show of drawings, Diane Mulopulos

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Documentation of the one-person show of prints and drawings : tunnel vision, Rosemarie Nagel