Theses/Dissertations from 2024
Chamber Tone Poems at the Turn of the Twentieth Century: How the Harp Contributed to their Development, Abigail Hughes Stoner
Theses/Dissertations from 2005
The nineteenth-century photographs of Désiré Charnay : images and interpretations of pre-Columbian past, Brian A. Reis
Theses/Dissertations from 2004
The power of art : an historical perspective on landscape architecture and healing, Rosanne M. Dwyer
Aegeans and Nubians in Egyptian new kingdom Theban tomb paintings : a critical comparison, Lisa Ann Kelly
Where has all the music gone? : a case study on the effects of migration upon the musical practices of an Iu-Mien community, Lynne R. Picker
The Pointing Buddha image of Mandalay Hill : Gautama Buddha "shows the way" in late nineteenth- and early twentieth- century Burma, Cynthia Warso
Theses/Dissertations from 2003
The long history of feminist art : a methodological critique, Rebekah L. Kohli
Theses/Dissertations from 2002
A Critique of sexism and racism in undergraduate art history textbooks, Melissa A. Hebert
Kendang penca : the instruments, music, and recent evolution of a traditional Sudanese musical ensemble, Christopher Allen Miller
Womanhouse and The Farm : a comparative analysis of two mainstreams of thought within the feminist art movement of the 1970s, Heather J. Weber
Theses/Dissertations from 2001
Mark Rothko's colorfield environments : metaphors of the sublime, Terri L. Birch
Documentation of the one-person show of felted sculpture, Dana M. Rice
Documentation of the one-person show of metal works/printmaking, Soon Jung Shin
Documentation of the one-person show of fiber : Undone, Cheryl A. Turnauer
Theses/Dissertations from 2000
The silhouettes of Kara Walker, Sandra L. Abbott
Documentation of the one-person show of paintings : Plumbing problems, Benjamin P. Anzele
Documentation of the one-person show of sculpture : "B" is for Brian, Brian Black
Documentation of the one-person show of paintings, Sheila Finnigan
I love the things which are not : the role and influence of Marianne von Werefkin on the German avant-garde, Carola Kupfer
Nineteenth-century feminine archetypes : a feminist approach to the allegory of Liberty, Kimberly A. Luthin
Documentation of the one-person show of paintings : Roadstead, Megan E. MacFarlane
Documentation of the one-person show of painting, Andrew Mackow
Documentation of the one-person show of sculpture : Are you experienced, Cynthia Mahan
Documentation of the one-person show of art, Jana Mirs
Documentation of the one-person show of paintings : The quiet furies, Michael S. Reedy
Depictions of women in the art of the Aegean during the Bronze Age, Jean Eleanor Scherpf
Documentation of the one-person show of drawings, Tammy J. Schuetz
Documentation of the one-person show of drawings : Cottage, caves, and gourds, Debra Kay Sigel
Documentation of the one-person show of drawings : Messages from a past life, Lee Ann Sluiter
Sacred sisterly secrets : a longitudinal study of twelve regional women artists, Loretta Swanson
Theses/Dissertations from 1999
Wendy Wasserstein, feminism and broadway : an uncommon combination, Gloria Dennison
The origin and dissemination of the fifteenth-century manuscript illumination motif, Bianchi Girari, Sean Danielle Kittrell
The madonna and child motif in the photography of Jacob Riis, Lewis W. Hine and the RA/FSA photograhers Ben Shahn, Dorothea Lange, and Russell Lee, Gina Miceli-Hoffman
The search for mainstream feminist theatre: : a critical analysis of the plays of Catherine Butterfield, Jennifer M. Thompson
Feminine cycles of life in art : challenging and changing tradition, Kenlyn R. Vass
Theses/Dissertations from 1998
Max Beckmann's Departure triptych, tradition and transcendence, Lara Nadine Allison
Alchemical symbolism in the art of Anselm Kiefer, Michele L. Czernik
The history of Drama Incorporated and the Milwaukee Repertory Theatre : a paradigm within the development of the regional theatre movement, Chad M. Doering
A study of improvisational aural processes and the need for their inclusion into instrumental music instruction, Robert James Knop
Divine illumination : light as mystical imagery in transfiguration and anastasis scenes of Byzantine iconography, Linda Parsons Plamondon
The Maya jaguar throne in ancient Mesoamerica, Rhonda Beth Silverstein
The Basilica of St. Prassede : its women, its history, Holly Angeline Stevens
AIDS plays : from anger to acceptance and beyond, Robert T. Westley
Theses/Dissertations from 1997
Group interpretation : the adaptation of literary work with To kill a mockingbird as an example of the adaptation process, Jill M. Bonavia
King Herod the Great and his palatial complex at Caesarea Maritima, Ralph R. Burin
Charles Ephraim Burchfield, "proto-postmodernist" : a stylistic re-evaluation, Josephine E. Burke
A web of aliases : birds in the art of Joseph Cornell, Tamara H. Fox
Edgar Degas and the monotype print : a private engagement, Caroline Aimée. Jensen
The Tala system, percussion instruments and an interview with a mrdangam vidwan of South India, Stephen M. Lurie
Visual manifestations of kingship during the reign of Akhenaten, Susan Gayle Stelford
Dramatic productions at the middle school : meeting the needs of the young adolescent actor, Reddy Royse Wilson
Theses/Dissertations from 1996
Precious stones : the development of the one-act play, 1851-1916, Steven Dedalus Burch
Decorative domestics : the interior paintings of Edouard Vuillard, Julie Anne Charmelo
Documentation of the one-person show of paintings: Epiphany, Michael J. Chlebanowski
The iconography of the horse on the parthenon frieze, Dana Martin Moore
A write way to teach theatre : using playwriting as the core of a middle-school drama course, Eugene M. O'Reilly
Discussions on the theories and methodologies on ancient Teotihuacan, the Maya and Teotihuacan-Tikal connections, Rosalynn M. Robertson
Beneath aesthetics : textual and ideological manipulation in Orson Welles' adaptations of Shakespeare, Scot A. Shepley
Theses/Dissertations from 1995
Advanced acting for secondary education : a capstone course, Cynthia L. Burrows
Documentation of the one-person show of paintings: Éprouver, Michael J. Chlebanowski
Designing a business : a guide for design managers, Michelle Goodman
Images of women in the series of Edgar Degas : a social art historical approach, Nicole Christine Masco
The Nepalese madal : a description and comparison with selected drums of India, Brent A. Mullane
An aesthetic revolution : civic unrest, militarism and artistic revolt in the work of Umberto Boccioni, Michelle A. Paluch-Mishur
Social activism in the life and works of Leoš Janáček, Thomas D. Svatos
Theses/Dissertations from 1994
The comparison of the Cecchetti and the Royal Academy of Dancing barre work, Petria M. Foss
Gift of the Moon Goddess : Maya Cultural Heritage Revealed in the Costume of Chiapas, Mexico, Miranda Howard Haddock
The multifaceted Mesopotamian goddess Inanna/Ishtar as experienced in mythology and art, Maria Teresa Jarén
The sculptures of the parapet of the temple of Athena Nike and their relationship to the Peloponnesian War, Christine Lazaris
Solitude chosen : images of introspection in the work of Andrew Wyeth, Jeff F. Mishur
The lemon, an investigation into its uses and implications in seventeenth-century Dutch still-life paintings, Blaine Reece Redemer
Heterosexist discourse and the critics : gay stereotypes in New York theatre reviews, Dennis C. Schroeder
Byzantine religious expression : manifestation of humanistic elements, Bojan Terzic
Theses/Dissertations from 1993
A formal typology of the sacred cantata arias of Johann Sebastian Bach from the first Sunday after Trinity to the first Sunday in Advent of 1723, Brian H. Bourkland
Visual sources in the visions of Julian of Norwich, Annette Lermack
Characteristics of the literature used by American musicologists, Susan J. Manaois
Theses/Dissertations from 1992
Chalk talk, Chad E. Bergman
The Academy Festival Theatre Company : from debut to demise, Paul Joseph Hettich
The influence of the apocryphal gospels on selected scenes from the life cycle of the Virgin Mary as represented in the Monastery church of Christ the Saviour at Chora in Constantinople : Evangelical and iconographical implications, Zina Beth Phillips Steen
The relationship between the Han TLV mirror design and the rise and fall of the Han Dynasty, Laureen S. Reu
Analysis and comparison of the shang tautie and the Olmec "were-jaguar" : research into the proposed diffusion of the Chinese motif into Olmec art, Lydia V. Shalanko
An analysis of secondary parameters and closure in the Adagio of Mahler's Tenth symphony, Laura Sheldon-Carr
Modern art comes to the Photo-Secession : a turning point, Mary Agnes Sommer
Theses/Dissertations from 1991
The visual dimension of Byzantine art : theology, iconography and aesthetics, Isabelle Sabau
Quadrabonia, Andrew Walters
Eschatological symbolism and mysticism in the art of Casper David Friedrich : early nineteenth century German Romantic art, Veronica Marie Watson
The influences of Wassily Kandinsky on the New York School of Abstract Expressionism : poetic nuance within the essence of abstract-expressionist painting, Olga S. Zdanovics
Theses/Dissertations from 1990
Applying western lighting aesthetic principles to the stage of Chinese classical opera, San-Tzu Chen
The panathenaic procession on the Parthenon frieze : an analysis of the subject matter, Judith Chapp Hoffman
The cult of Athena Polias and the so-called Erechtheion, Cheryl D. Houdek
Composite : for tenor trombone quartet, Richard D. Richmond
The music of the rebab in Javanese gamelan, Santosa
Theses/Dissertations from 1989
Critical phases in the development of the iconography of the Crucifixion in Byzantine art, Diane K. Banner
Design for a dream, Virginia B. Brown
