Publication Date
1-1-1983
Document Type
Dissertation/Thesis
First Advisor
Han, Guohuang
Legacy Department
School of Music
Abstract
Throughout Chinese history, music has been an integral part of the lives of the Chinese people. It was very symbolic; it was considered part of the universe. The entertainment value of music was secondary to its use for religious purposes and for the education of gentlemen. The instruments of China generally fall into one of two categories: metal and string. Among the major string instruments are the ‘pi-p’a (a four-stringed, lute-type instrument), the erhu (a two-stringed, bowed instrument), the sanxian (a three-stringed, banjo-like instrument), and the zither family. The two main Chinese zithers are the ch’in and the cheng. The ch’in, a classical instrument with seven strings, was a symbol of learning for the Chinese people. The cheng, which was more an instrument for entertainment, will be discussed in great detail in the pages to follow.
Recommended Citation
Stiegel, Jeanne E., "The history, usage, and technique of the Chinese cheng" (1983). Honors Capstones. 1193.
https://huskiecommons.lib.niu.edu/studentengagement-honorscapstones/1193
Extent
16 pages
Language
eng
Publisher
Northern Illinois University
Rights Statement
In Copyright
Rights Statement 2
NIU theses are protected by copyright. They may be viewed from Huskie Commons for any purpose, but reproduction or distribution in any format is prohibited without the written permission of the authors.
Media Type
Text
Comments
Includes bibliographical references.