Publication Date
1981
Document Type
Dissertation/Thesis
First Advisor
Meyer, Jerry D.
Degree Name
M.A. (Master of Arts)
Legacy Department
Department of Art
LCSH
Inness; George; 1825-1894; Painters--United States--Biography
Abstract
In an analysis of the oeuvre of the nineteenth-century American landscape painter, George Inness, one notices a sense of continuity among all the pictorial elements. Evident in his earliest works, this quality intensifies throughout his career, culminating in works in which the particularity of shapes and colors has been completely supplanted by amorphous, suggestive compositions. With an appreciation of the intense spiritual nature of the artist, one realizes this progression was the reflection of his own religious and philosophical maturation. The purpose of this paper is to demonstrate that this spiritual unity, manifest in the paintings of Inness, was the result of an intricate synthesis of various artistic and literary influences. A chronological analysis of these influences will provide insight into the complexity of Inness as artist and as individual.
Recommended Citation
Phillips, Mary E., "The development of spiritual unity in the paintings of George Inness" (1981). Graduate Research Theses & Dissertations. 5439.
https://huskiecommons.lib.niu.edu/allgraduate-thesesdissertations/5439
Extent
iii, 115 pages
Language
eng
Publisher
Northern Illinois University
Rights Statement
In Copyright
Rights Statement 2
NIU theses are protected by copyright. They may be viewed from Huskie Commons for any purpose, but reproduction or distribution in any format is prohibited without the written permission of the authors.
Media Type
Text
Comments
Includes bibliographical references.