Author

Amy Erickson

Publication Date

2018

Document Type

Dissertation/Thesis

First Advisor

May, Brian, 1959-

Degree Name

M.A. (Master of Arts)

Department

Department of English

LCSH

Literature

Abstract

This thesis discusses Stephen Sondheim's 1979 musical adaptation of the novel that originated the story of Sweeney Todd in 1846, The String of Pearls. Sondheim's musical has been lastingly popular with its American audience despite the story's British roots, due in large part to the American innovation of the tale. Sondheim's Americanization emphasizes several themes, already staples of American culture as evidenced by trends in popular cultural artifacts such as Batman, which speak to American audiences and allow them to connect with the British story of Sweeney Todd. In Sondheim's transformation, the villainous Sweeney Todd becomes a complex lover, along with his companion characters, and he is driven to extremes by love and his deprivation of it. Sondheim also exploits the filthy Victorian setting of the story to relate directly to his immediate New York audience and underscore trends of corruption in its real-world judicial system, as well as that of the fictional London. This corruption becomes a problem Americans cannot stand to see unsolved, and Sweeney Todd transforms under Sondheim's hand into a vigilante hero the likes of the already beloved Dark Knight, highlighting an optimistic and essentially American skepticism of tragedy and belief in the power of individuals to effect change.

Comments

Advisors: Brian May.||Committee members: David Gorman; Amy Newman.||Includes bibliographical references.

Extent

46 pages

Language

eng

Publisher

Northern Illinois University

Rights Statement

In Copyright

Rights Statement 2

NIU theses are protected by copyright. They may be viewed from Huskie Commons for any purpose, but reproduction or distribution in any format is prohibited without the written permission of the authors.

Media Type

Text

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