Schaffer, Byron L., -1990
M.A. (Master of Arts)
Department of Theatre Arts
Shakespeare; William; 1564-1616--Stage history Great Britain; Shakespeare; William; 1564-1616. Midsummer night's dream
This study examines the relationship between cultural trends of the mid-Victorian and late-Victorian periods in Britain and specific aspects of Charles Kean's production of A Midsummer Night1s Dream in 1856 and Beerbohm Tree's production of the same play in 1900. Though A Midsummer Night's Dream had been considered a box-office failure prior to Madame Vestris' production in 1840, impossible to perform successfully because of its incongruous and improbable subject matter, it became one of the most popular additions to Kean's and Tree's repertories. Because of the widespread popularity of these productions, they provide appropriate subjects for the study of how the theatre was significantly influenced by the cultural trends of its time in the nineteenth century. The study of cultural trends focuses primarily on the styles of art, architecture, music, dance, literature, dress, and theatrical production considered significant by cultural historians in a ten-year period prior to each production. The study of the productions is based primarily on promptbooks and available iconographic material plus contemporary reviews of the event. Kean's use of scenery, pageantry and special effects, and costumes reflects specific mid-Victorian trends in painting, architecture, dance, and dress. In addition, didacticism, respectability, and spectacle, the major objectives of all the mid- Victorian arts, are also principal objectives of Kean's production. Tree's use of scenery, special effects, and costumes also reflects specific late-Victorian trends in the arts and in dress. Furthermore, Tree's production reflects his consistent attempt to adhere to the major objectives of contemporary romantic-realistic art by providing careful attention to detail, to ornamentation, and to timeliness.
Farmer, Carol A., "Charles Kean's and Beerbohm Tree's productions of A Midsummer Night's Dream : reflections of British cultural tastes in 1850 and 1900" (1974). Graduate Research Theses & Dissertations. 1768.
vi, 154 pages
Northern Illinois University
Rights Statement 2
NIU theses are protected by copyright. They may be viewed from Huskie Commons for any purpose, but reproduction or distribution in any format is prohibited without the written permission of the authors.